“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A director, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin regularly encountered censorship through the Polish Communist regime regarding the belated ’70s and very very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential tales, absurdist parables, or premonitions about modern society’s hostility in addition to evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literature through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental weather.
One of several biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand brand new restorations that are digital brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining associated with H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the residual survivors of a nuclear apocalypse because they await a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a mission up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on modern Poland within the aftermath for the Communism Szulkin criticized throughout their profession. Furthermore, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration using the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center users. Save with all the purchase of three tickets or maybe more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western Street that is 65th otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mother dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, together with notion of the family that is nuclear.
Preceded by: brand brand New digital renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world happens to be therefore wonderful that only prisoners are utilized for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for a apparently condemned mission to an uncharted planet. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic world, where he is welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Using the film’s properly nonsensical title from the babble of their infant child, Szulkin provides a bleakly acerbic commentary in the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
real ukrainian brides sites brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, researchers try to produce a brand new, pliable competition of people. an apparently ordinary item associated with work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about his life amidst drab bloc architecture that is soviet. Szulkin’s bold function debut, styled in sepia tones and dramatic lighting, happens to be known as a precursor to Blade Runner , but its name additionally appears back once again to an even more ancient misconception of creation and morality.
Preceded by: brand brand brand New electronic restoration The Gal additionally the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter using the devil, set to the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last film is a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free beer) simply to institute his or her own absurdist, tragicomic reign of terror. Updating Jarry’s iconoclastic vision with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician who devoted their career to lobbing grenades in the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent total collapse. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) once the sound of these 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy also more than the aliens: the state it self. Released in the same way Poland was being plunged into martial legislation and immediately prohibited, The War associated with Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm